The scene towards the end where Ulrich is alone in the house with her (before Birney arrives, incensed about this), where he delivers a monologue with an attempt to gain some father/daughter rapprochement, is perhaps even weaker than the 1-3/4 hours which preceded it. The daughter, Tess, played by the attractive young Shawna Waldron, gave a decent performance, but one imagines it was less than it could have been, based upon the other characters/performances/story presentation. And even the "revalations" gained from the therapist and mother were presented in a thoroughly unengaging manner. Incidentally, the latter was a thoroughly selfish, unfeeling individual, and while apparently not physically abusive, would otherwise rate behind Joan Crawford in a Mother-of-the Year contest. Although Urich's "Jack" was already aware of his childhood tribulations, Meredith's "Carol" became aware of hers late in the presentation, as a result of the inevitable "dream," and then dialog with her widowed mother (Diane Ladd). Her scenes with the therapist were weak - on the part of both characters - and did little to enlighten or portray a realistic therapeutic benefit to her in any way. Birney has played many roles of women riddled with angst, some due to persons menacing or otherwise mistreating her characters - and some where her character has been a raging sociopath. Urich died not long after the film's release, from cancer which he had battled for some time - and the whimpering, lethargic performance can probably be in part blamed upon the physical and emotional real-life problems he was encountering. I do not see how, based upon the way this story was presented, anyone could feel an iota of sympathy for either. Urich and Baxter are attractive people, and their work in active careers has been credible if not remarkable. However - despite the subject matter, this is a bad movie. To add to this, if it weren't enough, it turns out the guilty father (Robert Urich) and the suffering mother (Meredith Baxter) were both victims of molestation as youngsters themselves. It is tempting to try not to criticize a film such as this, dealing with the issue of a father molesting his daughter - one of the most horrible things a man could do to his child. The daughter's feeling are not looked at in depth, but the focus on the parents makes the message come across.
A LONG WAY HOME REVIEW MOVIE
The movie on a whole is slow and shallow and the 'technique' of filming the mother's therapy sessions as interviews makes it look fake. She comes to understand her circumstances as she cries out to her own mother when she realizes she has "forgotten" her own abuse. Meridith Baxter Birney plays the mother who can't believe she didn't know the man she loved dearly was abusing their daughter. Yet he has to learn to live with himself, as he fights his own demons. Every gesture he makes towards his daughter is misinterpreted. Robert Urich plays him as a wounded man who knows he did a terrible thing, but doesn't know what he can do to make it right again. It's a daring movie especially because the abuser is not hidden away as he is in so many other movies we've seen about the subject. The story follows the mother's therapy sessions and through this we find out that dad was an abused child and later on in the film that this was also the case with the mother. It takes a look at a family (mom, dad, teenage daughter and younger son) going through a crisis as the daughter accuses her father of sexually abusing her. This movie examines the fact that people who were abused by their parents are much more likely to abuse their own children.
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